DISCOurse #1: Pinup Opening Reception

DISCOurse

Event Details


Bradley Wester’s DISCOurse #1: Pinup Opening Reception at the Yellow Peril Gallery

DISCOurse featured

Yellow Peril Gallery is pleased to present “DISCOurse #1: Pinup,” Bradley Wester’s newest body of work, a hybrid-practice that combines painting, drawing, sculpture and digital imaging into larger works and installations with unique reference to color and light and to physical space, opening Thursday, April 24, 2014. The opening reception is Saturday, April 26 from 6PM – 9PM.

This body of work entitled DISCOurse, uses custom made reflective Mylar pegboard as the conductive substrate for other materials and objects such as smaller paintings, disco balls, digital prints, found photos, holographic tape, tube lights, pipe cleaners, leather, and chain to be attached and arranged. The evenly perforated panels are like large computer motherboards each with a unique ‘form factor’ by which the connected components or circuits communicate. Mirrored, the mother-pegboard makes all external reflections components too. The reflected images appear to be rasterized into a bitmap of 1’s and 0’s when the formal grid of pegboard holes acts as a dot matrix inside the image. So one’s reflection becomes part of the piece, made further corrupt as it is interpolated into the other layers of the work. One such layer that often appears on the surface of these panels are images of digital glitches—failed images of pure pixilation, referring to both the pegboard and the mirrored disco balls as analogue pre-digital rendering devices.

Each piece performs like the mirror in a single-lens reflex camera, or a micro view of a silver gelatin print, expanding new directions in photography. And in painting: Re-imagined in the age of information and digital reproduction, painting is liberated here not just from the static pictorial field of the canvas-container, but also from ever having to complete itself. Here the work contains, and therefore is contingent with, whatever is in front of it—the viewer, other works nearby, the room itself. The total picture, if you will, can only be formalized in live time, moving through space, only to change again, forever precarious.

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About Yellow Peril Gallery: Founded in 2011, Yellow Peril Gallery is a contemporary art gallery located at The Plant, a historic mill complex in the Olneyville neighborhood of Providence, Rhode Island. The Gallery fosters modern art critiques on popular culture and society from emerging, mid-career and established artists in the United States and abroad. Our inventory comprises of works of art from critically-acclaimed artists who have been featured in museum exhibitions, participated in top tier art fairs and acquired by private collectors worldwide. Artists that we represent share our commitment to social responsibility, and 10% from the sale of all artwork is donated to a charitable organization of the Artists’ choice.

Author: Tim Blankenship

I work on websites.

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